三千海外买家将云集文博会,太平洋书画专场亮点多

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编辑:admin

社会生物学家爱德华 O.
威尔逊指出,二十一世纪的人类信仰已进入一个物质现实和网络现实统一认识的新范畴。在当今世界互联网的影响下,历史变迁、政治议题、文化经济和人文科学正在经由混杂的方式改变。在这个统一的新时代,图像和
现实越来越像鬼魂一样到处浮游。换句话说,今天的图像和现实像一个透明的玻璃一样在存在和虚无之间变得越来越脆弱。

距离第二届文博会开幕只剩下一个多月的时间,记者从昨天召开的第二届文博会筹备工作汇报会上了解到,目前第二届文博会各项筹备工作进展顺利,主展馆8成多展览面积已售出。海外招商取得突破,26个海外城市将组团参展。市长许宗衡听完有关汇报后,对筹备工作进展表示满意,并要求有关部门要按照“精心组织、逐项落实,加强协调、万无一失,办出水平、办出特色”的要求,进一步做好各项工作。副市长闫小培主持汇报会。
主展馆8成多面积已售出
——招展工作进展顺利。据悉,截至3月23日,主展馆已完成展馆销售面积共计8.828万平方米,占展馆总面积的84.08%,签约参展企业522家,其中境内480家,境外42家。已有北京、天津、河北、山西等22个省、市、自治区组团参展。
本届文博会将按行业分类组展,设置了文化产业成果交易馆、职业教育馆、创意设计馆、传媒科技馆、国际演艺馆、华文出版馆、动漫游戏馆、工艺美术馆和书画艺术馆等9个专业馆和大芬村分会场、古玩城分会场、水贝珠宝城分会场、艺展中心分会场等4个分会场,拟增设的动画基地分会场的各项筹备工作即将完成。
三千海外买家将云集文博会
——海外招商取得突破。预计第二届文博会将有3000名海外采购商、投融资商和2万名国内专业观众一起参加第二届文博会。
据了解,为推动中国文化产品和服务的出口,第二届文博会将海外招商作为了招商工作的重点,先后制定了《2006第二届文博会海外招商招展优惠办法》和《第二届文博会海外观众组织实施方案》,明确了采购商、投资商和专业观众的优惠政策和标准。同时向全国征集我国优秀文化出口产品和服务项目,汇编成册,面向海外采购商进行定向宣传推介。为了广泛邀请国际采购商、投融资商参会,第二届文博会还与26家境外代理机构签约,全面开展海外招商活动,并建立专业买家数据库,尤其是海外买家数据,进行点对点招商邀请,目前已收集到11000多个买家数据,全部以电子邮件形式发出了文博会的邀请。
第二届文博会也吸引了不少海外城市组团参展,截至3月23日,已签订参展协议的海外城市达到了26个。这些城市包括:美国华盛顿州托卡马市和雷克伍德市、德国纽伦堡市、日本筑波市、韩国光阳市和釜山市、法国维埃那省、比利时瓦隆省、埃及卢克索等。
“文化大餐”将一个月不断
昨天的会议还透露,第二届文博会期间,与第二届文博会配套的论坛、拍卖、评奖和颁奖活动内容丰富多彩,让人们在整整一个月里都品尝到不同的“文化大餐”。
其中,论坛主要有:中国文化发展战略论坛,2006中国国际文化产业论坛,深港动漫产业合作论坛,中国艺术品投资论坛暨雅昌拍卖指数论坛,数字电视发展论坛,二十一世纪演艺展望论坛,国际画廊经营者论坛等。拍卖活动有:中国名家字画艺术展暨拍卖交易会,文稿拍卖会,工艺美术珍品、精品、收藏品拍卖会,油画作品拍卖会,中国百名著名画家代表作拍卖会等。评奖颁奖活动有:中国文化创新奖评选颁奖、中国工艺美术精品奖评审及颁奖,首届中国创意设计大奖颁奖典礼,文博会组织奖等。
届时还将举办文博会艺术节,艺术节将历时一个月,包括了文化部2004-2005年度十大精品剧目展演,澳大利亚电影周等公益性和商业性演出活动共19项。

太平洋拍卖2006年第114期拍卖会将于4月2号在京瑞大厦开槌。其中书画专场亮点众多,风格迥异。其中既有展现传统文人情怀的陈平山水画,又有画僧史国良表现少数民族妇女劳作场景的《大祥小祥常相随》。此外,本次的拍品中还有表现戏曲人物场景的关良《闹桃图》和程十发《戏曲人物》。之外,拍品中还有体现浪漫情趣的花鸟画《葡萄草虫》和《梅竹双喜图》等。
画僧史国良创作的《大祥小祥常相随》表现少数民族妇女在丰收季节劳作归来的场景。画家用减笔速写面带微笑的妇女以及作为吉祥象征物的大象。在这极简单的生活场景中,寓含着人们朴素纯真的欢快心情和平常人生的表达。从此画中,可以看出史国良扎实稳重的写实功力和他于自然情景中提取美感的绘画特征。著名戏曲题材画家关良所作的《闹桃图》与程十发的《戏曲人物》是本次拍卖专场的又一亮点。关良在《闹桃图》中,用减笔描绘了一位手托鲜桃的小生形象。他前后摇摆的幽默姿势和细笔勾勒的点睛之笔传达出人物的性格特征。从中可以看出关良取法南宋梁楷、清代八大山人的率真意趣。本次拍卖会预展时间为3月31号至4月1日。

In this Era of Consilience, Wu Minzhongs new works are constantly
questioning about the fragility of human relations, which is in the
state of being complicated situation of history, politic, economic, and
culture throughout the transition from 20th century to 21st century. His
unique methodology of conveying the notion of Consilience reflects the
collapsed firm walls of the relations between human to human, object to
object, space to space, time to time, and emotion to emotion. By using
his own visual language of glass imagery that symbolized the fragility
of universe and truth (not only human relations), Wu Mingzhong guides
the viewer to rethink our ambiguous, fragile, and even dismantled human
experiences. His images of politicians, objects, religious icons and
lovers are rather to be appeared as a shape of ghost, which is unable to
retreat as it is untouchable. Rather, these floating ghost images come
in and out over and over again into our body, just like the air and wine
in Mingzhongs own image of glass. At this point, I assume Wu Mingzhong
may paradoxically dream about a more firm and concrete realities and
relations by presenting his symbolic fragile images. After all, his
painted imagery is representing the haunted, transferring relationship
and socio-economic, cultural values in local and global perspective.
Within this context, his fragile reality is symbolizing the artificial
reality of today, which is filled with uncertainty and unstableness.

在武明中的一系列新作品中,如朋友,小心轻放!心灵宗教圣像情人和相扑等,让我体会到,他通过脆弱的混合现实方式对中国和世界的现实表达关切。这是对当今混杂与统一的现实的一种独特的艺术视角与思考。因此,我认为武明中的新作品是以他自己的创作方法来呈现21世纪的混杂与统一的宏大叙事。

As Scociobiologist Edward 0. Wilson pointed out, the faith of 21st
century human kind entered a new horizon of The Unity of Knowledge in
both physical reality and cyber reality. On the universal net work of
today, transitional history, political issues, cultural economics and
humanities is on the track of transforming through the passage of Hybrid
knowledges. In this new era of Consilience, images and realities are
becoming more and more like ghost-spirit which is floating in the middle
of nowhere. In other words, todays images and realities are becoming
more vulnerable and fragile in between existence and absence like the
nature of a transparent Glass.

In his new series of Friends, Heart in a box, Religious Icons, Lovers,
and Sumo Wrestlers, I breathe the fragile mixed reality zone on the
orbit of his thoughtful idea of Chinese local reality and global
reality. It is a unique artistic observation and reflection on todays
Hybrid and Consilience realities.Therefore, I manifest that Wu
Mingzhongs new works present the grand narrative of the Hybridity and
Consilience in 21st century by his own creative methodology.

In 19th century, German Thinker Karl Marx said Human Science will
involve Natural Science. Likewise, Natural Science will also face to
Human Science. In nearest future, these two different sciences will
merge into oneness. His words became a futuristic forecasting value
which emerged and penetrated throughout the entire time and space of
20th century universe.

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